By Michael F. Flint (Auth.)
The recent and completely revised version of this key ebook is designed to aid either practitioners and non-legal pros comprehend copyright and layout legislations within the united kingdom, and the way it impacts you. cut up into easy-to-use sections, with half one containing an in depth breakdown of all suitable united kingdom laws, and half making use of this laws to the most industries within which copyright fabric is usually exploited. up to date to mirror the emergence of brand-new technique of electronic exploitation, together with peer-to-peer distribution, A User's consultant to Copyright truly illustrates the scope and relevance of copyright legislation within the new info know-how period
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Extra resources for A User's Guide to Copyright
12 looks at section 48, the interpretation section of the Act, one finds that a dramatic work 'does not include a cinematograph film, as distinct from a scenario or script for a cinematograph film'. Thus, although the filming or video taping of a dramatic work does constitute reduction of the work to a material form, the actual film itself is not a dramatic work. A cinematograph film is defined widely enough to include video tape, video disc and any other known form of recording a sequence of visual images.
G. ) to deliver up to him the infringing copies, as if he had been the owner of them since the time when they had been made. He has a similar right to delivery of any 'plate' used or intended to be used in making the infringing copies. A 'plate' includes any stereotype, stone, block, mould, matrix, transfer, negative or other appliance. 16 Who may sue Action may be brought by the original owner of the copyright, or by a person to whom the copyright has been assigned, or to whom an exclusive licence has been granted.
If the lecture had been written down beforehand — either in full or in reasonably detailed notes — the lecturer could not rely upon the law of copyright to prevent someone writing an article which repeated only the facts given by the lecturer. The lecturer would have to show, in order to establish an action for infringement of copyright, that the article had actually substantially copied the lecture. 17 Recording of work not in material form If a writer, whilst appearing on television or radio, were to tell a story which had not previously been written down, then the copyright in that story would vest in the first person who happened to write the story down.
A User's Guide to Copyright by Michael F. Flint (Auth.)